A mad dash up from London by train after work to South Wales
for this gig, as this was unchartered territory for me, so I
wanted to make sure I got there in plenty of time.
The venue was a pub-cum-guest-house, The Ynysddu Hotel, which
was useful as I was able to stay the night after the gig. The
actual concert was held in a reasonably large sized function
room upstairs, with the stage at the far end of the room. The
hotel is often used by the local guitar club run by Rob Southall,
who was also instrumental in organising the gig.
This was only the band's second gig as Magenta, though keyboard
player and vocalist Rob Reed has previously been involved with
projects such as Trippa, Fyreworks, and Cyan, the latter also
featuring vocals from Magenta vocalist Christina. Magenta have
released just one CD so far called Revolutions (the follow up
CD, currently titled Seven, is due for release shortly). The
album consists of 4 main tracks, approx 20 mins apiece, with
a couple of shorter tracks in between. The main songs are based
around the concept of (occasionally misplaced) faith; faith in
love, man-made objects, war, machines and genetics. The band
also make it plain on the sleeve notes on the album that they
make no bones about their prog influences, so you will hear very
strong influences from Yes, Genesis, Tull, Oldfield, Renaissance,
Marillion and many others.
Having lived with this album for over a year now I can testify
to the fact that this is much better than it sounds on paper.
Apart from being superb musicians and songwriters, the groups
obvious love for the genre shines through, and transcends what
could easily have been just another Yes/Genesis etc clone of
which there are too many out there already.
What we get at the gig is these four main songs played in their
entirety; Children Of The Sun kicks off the proceedings with
its slightly folky, Jethro Tull-ish feel. There were some slight
sound problems here, Christina appeared to be struggling to hear
her vocals occasionally, and the guitar seemed a little low in
the mix in favour of the keyboards. But this did not detract
from the overall sound, and was no fault of the bands, but probably
down do the acoustics of the venue. Despite this, Christina showed
herself to be an excellent singer and strong focal point for
the band, and between her and Rob Reed handled the sometimes-complex
vocal arrangements and harmonies extremely well.
Main guitarist Chris Fry is definitely a guitar hero in the making.
One of those "busy" guitarists, always seemed to have something
interesting up his sleeve to add a little flavour to the overall
sound, but also able to handle the heavier sections when called
I was initially slightly apprehensive about how the band were
going to reproduce the complex sounds from the album live in
a small venue, particularly the keyboard parts, as Rob Reed only
had a single keyboard. But I need not have worried, as he seemed
to have most of the necessary sounds at his fingertips, with
the occasional keyboard part augmented by Chris Fry's guitar.
White Witch followed, an epic, very Marillion-like piece, sounding
heavier than on record, and helped no end by the superb rhythm
section of Matt Cohen on bass, Rhys Jones on drums, and second
guitarist Martin Rosser. The track is brought to a rousing finish
by some great guitar pyrotechnics by Chris Fry.
Next up was a slightly shortened version of Man the Machine,
with very strong hints of Trick Of The Tail and Supper’s Ready
era Genesis, with its strong guitar lines, multiple tempo changes,
and some great keyboard work from Rob.
The closing track, Genetesis, was the highlight for me, with
its very strong Yes flavour. Chris Fry pulled out all the stops
on this one, effortlessly echoing Steve Howe’s unique style.
A very upbeat, fast moving track (save for the Awaken-styled
mid section) with some superb vocal work and some stunning Wakeman-like
organ from Rob.
A very enjoyable gig, and quite an achievement to be able to
reproduce the complex sound of the album in a small venue, occasional
sound problems notwithstanding. It really would be wonderful
to be able to catch them at a larger venue. I understand the
band is currently trying to set up a gig at the Classic Rock
Society in Rotherham, Yorkshire. And those of you lucky to be
attending this years Baja Prog Festival in Mexico are in for
a treat, as they are on the bill.
If they can pull off a performance like this at only their second
gig, then there is no stopping them.