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Yes
Full Circle Tour 2003
June 3rd, Vicar Street, Dublin, Ireland
June 11th, Tempodrom, Berlin, Germany
June 14th, Junge Garde, Dresden, Germany
June 22nd, Cirque Royal, Brussels, Belgium
June 24th, Ahoy', Rotterdam, The Netherlands
July 1st, Hammersmith Apollo, London, UK
July 3rd, Indoor Arena, Birmingham, UK
July 8th, Museumplatz, Bonn, Germany
By Kevin Murphy, Winston Arntz, Andreas Vogel, Craig O'Brien and Pía Matozzi
Vicar Street, Dublin, June 3rd
By Kevin Murphy
Recent times have been good for the Irish prog fan. In the past few years we've
had visits from the likes of Jethro Tull, Dream Theater, Mike Oldfield, Porcupine
Tree, The Strawbs, Marillion, Roger Waters and Ozric Tentacles. And now we have
the third visit in as many years from Yes. Last time out, on the Yessymphonic
Tour, the band chose to play the Point Depot, Dublin's shed-like 8,000-seater
venue. Unfortunately, they were playing to a less than half full hall, but played
superbly nonetheless. This time out, however, Yes have sensibly opted for the
more intimate (and much better) 1500 capacity Vicar Street. This much more suitable
venue along with the additional attraction of a certain Mr. Wakeman returning
to the fold, guaranteed a sell-out this time around.
The first thing one noticed on entering the venue was the strong atmosphere
of anticipation, Irish fans, young and not so young (mostly), eager at the prospect
of finally seeing the classic Yes line-up in action. The next thing one noticed
was the stage set, which looked as if they had cut up some of Rick Wakeman's
old capes and strewn them about the stage.
Just after 8.30, the lights dimmed and the Firebird Suite intro began. One by
one the band walked on stage to rapturous applause. Steve Howe first, followed
by White, Squire, Anderson, and finally Wakeman who, it seemed, received the
loudest cheer. Welcome back Rick!! Just like on Yessongs, just like on Keys
to Ascension, Siberian Khatru was the opener. Initial sound balance problems
made it hard to distinguish individual instruments, but this was quickly sorted
and the band settled nicely. The title track of Magnification was up next
and while it was a great version, I think it missed the orchestral arrangement
from the album and Symphonic Tour. Then came the first surprise of the evening.
Magnification segued straight into Don't Kill the Whale. This was never
one of my favourite Yes tracks, but tonight it sounded magnificent and the band
all seem to have enjoyed playing it very much. Another track from Magnification
followed, the beautiful In the Presence of. Again I feel it lacked the orchestration,
but was nonetheless a good version.
Jon Anderson then began, in his own inimitable way, to explain what In the
Presence of is about, until some heckler suggested that they "play some classic
Yes." "Ok," replied Jon, "how about Southside of the Sky". Chris Squire then
reminded Jon that he had forgotten something. Southside... would follow, but
not before the wonderful We Have Heaven, complete with slamming door and running
footstep effects. There seemed to be backing tapes used for some of the vocal
parts, but who cares. It was just great to hear this track played 'live'. Southside...
proved to be a tour-de-force rendition, and was for me the highlight of the
evening. The extended solo duel between Howe and Wakeman was a joy to behold.
Two master musicians excelling at their craft, and having a lot of fun doing
it. Classics we wanted, and classics we got. The band next played a song, which
Jon said was "something we threw together on a wet Tuesday afternoon just over
thirty years ago." Well this was a wet Tuesday evening, and And You and I
sounded as awesome now as I'm sure it did then.
We now came to the inevitable solo part of the evening. Never my favourite part
of any show, the solos can prove to be ruination of what has been up to then
a good gig (anybody remember the awful 9012Live - the Solos?). Tonight's solo
section was a bit of a mixed bag. A very relaxed and happy looking Steve Howe
was up first. Steve began with In the Course of the Day, a jaunty picking
tune from his album Natural Timbre. A nice piece, but it maybe went on a bit
too long before he played The Clap. Nice, but would love to have heard Mood
for a Day. Ah well, can't have everything.
Jon Anderson was back on stage now and played what I felt was a very nondescript
acoustic song, which I didn't recognise and didn't catch the title of. Jon then
introduced us to "Mr Wakeup" on keyboards, and we were treated to a wonderful
solo piece by Rick, which featured all his usual tricks - bits of The Six
Wives... and King Arthur... as well some ragtime and even an Irish jig. Terrific
fun!!
The rest of the band returned to the stage, and from here on in it was classic
Yes all the way. Long Distance Runaround began this final set, followed by
The Fish which, (naturally) prominently featured Chris Squire. But a nice
surprise lay in store. Anderson, Howe & Wakeman left the stage again, leaving
Squire and White to run through thundering versions of Tempus Fugit and On
the Silent Wings of Freedom. I definitely never expected to hear anything from
Drama even if it was only an instrumental duet version. The others returned
in time to segue the music back into The Fish. By now this was exhilarating
stuff. How much classic Yes can you have in one evening? Not enough in my opinion.
Heart of the Sunrise followed, and finally we were treated to what is my own
personal all-time favourite Yes song, Awaken. From the frantic opening piano
run, right through to Howe's final flurry of notes, this song has everything
that classic Yes is about. Soaring melodies, pounding bass lines, intricate
solos and a great quiet-to-loud middle section. Awesome!
After two hours, Yes left the stage. I'd have gone home very happy by now, but
didn't have to. The band returned quickly to deliver a couple more classics,
but not before Jon Anderson lead audience and band in a chorus of Happy Birthday
for Alan White's mum who was sat in the audience. And so to the encores. As
pretty much expected, we got Roundabout in a slightly edited version and also
a powerhouse Starship Trooper, complete with Squire's deafening bass notes
at the end. What a night.
Three years, three Yesshows in Dublin, three different line-ups, and three very
different set lists, all adding up to one class act. In a word, YES!!
Photos © Black Cat
Full Circle Yes - Europe 2003
by Winston Arntz
35 years ago a band called Yes stepped onto stage to release their music
upon an unsuspecting world. This band would evolve to a barriere-breaking
group of musicians who saw no musical borders to stay in to. In 1973 the
bands' line up consisted of Jon Anderson, Chris Squire, Steve Howe, Alan
White and Rick Wakeman. With Tales From Topograpohic Oceans a new piece in
music history was written and invoked a magic spell over the band. Yesfans
for all over the world often think of the ASHWW line up as the best ever.
Through numerous changes, arguments and two bands wanted to be called Yes
in the 80's, 2002 saw the definite return of the magic again.
A tour in the U.S. laid down the foundation to re-find the live
interaction what turned out be not too easy in the beginning. But half way
through that tour 'the spell' was found again and a bright shining future
came shining through...at last.
Before the expected new album the band decided to treat Europe and
Australasia to the Full Circle treatment as well but when Jon Anderson
fell of a ladder while hanging the Christmas lights for the holidays Yes
had to postpone that plan for a few months. I for one was glad that Yes
would be here in the summer, a great way to spend my vacation!
Berlin
First up for me was june 11 in Berlin in the beautiful Tempodrom, right in
the centre of Germany's capital city.
In a venue that was flled for about three quarters, I witnessed for the very first
time the ultimate, the magic. I can only imagine how it must have been in
the 70's when the legendary albums were fresh and new. A very moving and
powerful show with great acoustics and most of all; I saw a real band on
stage. Interacting with each other, smiling faces of a true feeling of
friendship. In the set almost all songs of the Fragile album were featured
with South Side Of The Sky being the surprise song. A song that drummer
Alan White never played before because Bill Bruford recorded it, but he
played it with great precision and power, it was incredible almost. The
audience, in Germany often timid, picked up the very positive atmosphere
and amazed the band even during Long Distance Runaround when it seemed
that a 2000-headed choir stood up in front of them. A great sight to see
and hear. I've been to a lot of Yes shows since 1989 but I never saw these
5 guys together being Yes. The sound is so tight and perfectly balanced
that it is almost uncanny. 
The role of Rick Wakeman can only be played by
Rick Wakeman but a good sound engineer is needed; mixing this band is a
difficult task as I would learn later in Rotterdam. Berlin gave me a
perfectly performed Awaken, the song Yes and its fans see as the very
best song they ever made.
Brussels
About two weeks later I came to Brussels to see the band there in the
Cirque Royal, which is a theater with seats only. A great chance to see
Yes put on their show while sitting down in comfortable seats and see how
they do it. I stil don't know how but this show was just as great as the
Berlin show, with the only difference that they played a different song in
the encores; Starship Trooper was traded for Yours Is No Disgrace, so I
thought that was really nice of the band. The only thing bad that it was
very, very hot in the old venue which seemed to drain the energy out of
both the audience and band a bit. Nevertheless after each song the band
received standing ovations so it could also have been the damn seats as
well. Brussels was fab too and worth the expensive ticket (EUR 63!!).
Rotterdam
Next up was Rotterdam, well known territory for the band. In several era's
the band took the stage there and parts of the live album Yesshows were
even recorded there. I saw my first Yes concert there too (ABWH) so it was
Full Circle for me as well. My hopes were up when I saw how many people
were there, just one side of the second floor ring was closed so 7500
people had come to see Yes. Holland rules! It was great to see the look on Jon
Anderson's face when he discovered this too. He really means it when he
says that as long as Yes will have and audience they will continue.
The beginning of the show suffered from a bad soundmix; too low in volume
and Anderson's voice was drowned in the mix. The Ahoy' has a reputation of
being hard to handle for soundcrews, unfortunately it took a while to get
it right. But I was spoiled with 2 shows already so I could focus on the
band and the audience. I saw complete families, fathers and sons, the
'Lowlands generation', the original fans with beards and bald heads and of
course the fanatics. They all looked very satisfied and happy that they
were able to see Yes again in 2003. Everywhere around me I heard people
sharing their memories and experiences and how fantastic this show turned
out to be. It was! No thanks to the soundguy, especially in the first
half. Yes enjoyed the immense response and turn up very much. Jon Anderson
was extra thankful and he kept on saying it in between the songs. He even
extended his 'solo' with a funny happy birthday song. He does have humor
and isn't always that guy from another planet or the singing angel.
His voice was a bit raspy in the first part of this show but this was
'solved' at the beginning of part two. Another suprise in the encores; now
Yours Is No Disgrace was traded for Your Move / All Good People, a song
written about the people in Holland or so I've been told. I later found
out that they were trading so often so they could play an extended set of
songs at the Hyde Park gig in London, which was cancelled because the
concertpromotor went bankrupt. Too bad because Yes kind of planned the
35th birthday party there. Maybe they will try to make it up this
year...if not the 2004 tour will.
So Rotterdam was great too but for other reasons; a thankful band and
audience, the ovation after the last encore went on and on and it came
very close to a third encore, I don't know why they didn't return.
Bonn
The last show I saw was in Bonn, again two weeks apart. An open air show,
a first for me with Yes. The Museumplatz is a very cosy and friendly
venue.
A big Tent like roof would have sheltered us from any rain but the
weather was great, warm and sunny...Together with a group of friends I was
able to enjoy the show to the max and so I did. The stage was close to the
audience again so I could see the member interactions again. Once again
the smiling faces, even when Jon had few ear-monitor problems and Rick
Wakeman went astray in Magnification. The apologizing look on his face
when the song was finished told us and the band that he pushed all the
right buttons...it sounded a bit strange but being Rick Wakeman he
improvised suitably. There was a videocrew filming the show with three
camera's for big screens on the site, I never saw that at Yes concert
before. I don't know if this material will surface on a official release
somewhere but I definately want a copy... In general, Bonn also was very
much worth the trip and ticket, you just can't go wrong with Yes. It's
simple as that.
In September the last leg will start in Australia and Asia. Next year in
June and July Europe will be treated with 15 exclusive shows; with a big
Roger Dean designed stage, extended set and a expositon of Yes
memorabilia, (12 shows first in the U.S. in april and may) so the party
still isn't over, it's just getting started!
Photos © Yesfocus
Junge Garde, Dresden, June 14th
By Andreas Vogel
They ARE weird,
aren't they?
I mean, look
at Chris Squire. That fuzzy hairdo, that silky shirt from yesteryear,
that massive body in those shiny tights stomping across the stage.
Or, take Rick Wakeman, the man for whom the word 'keyboard wizard'
was coined: this awe-inspiring stature, clad in a waving cape
embroidered with golden symbols, the long, blonde hair bordering
a grave face. Alan White is not that weird; he hides behind his
drumkit most of the time. But there's Steve Howe - he's weird,
too. Doesn't he look like some very old, very skinny professor
of anthropology who seldom sees the light of day? You wouldn't
expect that man to handle umpteen types of guitars within a really
short amount of time, would you? And Jon Anderson? Well, the 'place
of residence' entry in his passport surely reads 'not this planet'
or something like that. This small man seems to soar in heavenly
spheres that normal people like us are unable to reach. And the
moment he came on stage, I thought 'Oh my God, Anderson forgot
to get dressed!' He still wore his pyjamas, or some sort of funny-coloured
leisure tracksuit…
Hold it, hold
it…! To all the Yes fans who are on the verge of getting
angry, please calm down. For that is just the outside, folks.
And the outside dwindles down to utter insignificance once one
perceives the music the band creates, or better- have been creating
for the past 35 years. Looking back, we behold a vast catalogue
of groundbreaking compositions, many of them timeless classics;
there are self-indulgent epics as well as simple-yet-good pop
songs, plus a few fruitless ventures, too, but on the whole that
is an oeuvre which to label 'impressive' would be a shameless
understatement.
It's good
to see that the boys are still around to celebrate that oeuvre,
now again in what one might call the classic line-up. It may be
true that Yes are somehow losing touch with the musical interests
of todays' audiences - their aim is obviously not to attract new
fans but to give their old ones what they crave for. And apart
from doing the obvious orchestra collaboration, experimentation,
or progress, is not their cup of tea any more. They're doing what
the do best: performing their trademark music with an undiminished
joyfulness and a mind-boggling competence. So, a Yes gig these
days seems to be shrouded in an overwhelming air of nostalgia,
and it proves to be a great pleasure to revel in that once in
a while.
The surroundings
of the Dresden concert - an open air stage amidst towering trees
- nourished that back-to-the-roots kind of feeling, and Siberian
Kathru, composed three decades ago, aptly opened the set.
The following material included songs considerably more recent
but unmistakably just as 'yes-ish': Magnification and In
the Presence of. The 'Fragile' era was then represented by
South Side of the Sky - a very good choice.
Meanwhile,
somebody in the audience had unrolled a big banner saying "Happy
Birthday Alan!". Anderson seized the opportunity to strike
up a birthday song for Alan White, with the audience cheerfully
joining in. In such moments, the strong bonds that the band have
developed with their fans become most apparent. The Yes community
appears to be a big family, a family that spans continents, a
family whose members are growing old in comfortable togetherness.
When Steve
Howe gently struck his chords to launch And you and I,
the crowd went wild with excitement. A great track indeed, an
old-timer, and still in splendid shape. As its final notes had
died away, Howe stepped forward for his obligatory solo bit, while
his band mates left the stage. When he went to work, you just
couldn't help looking for the other two guitarists in the background.
There were none, of course. It was all him who produced what sounded
like one whole guitar orchestra, and he appeared to do it effortlessly.
The frantic applause that ensued after The Clap Howe met
with a shy smile and a humble bow - that's the old school.
The first
track after the intermission had Anderson perform a previously
unknown song on his own, joined later by Wakeman, who immediately
continued with his solo spot, displaying dazzling keyboard wizardry.
Heart of the Sunrise came next, an absolute favourite of
mine that won't stop thrilling me: just listen to how these old
men pound away! The sequence of Long Distance Runaround,
Whitefish, and On the silent Wings of Freedom gave
Chris Squire the opportunity to present himself to best advantage.
I have seen many bass guitarists - from Levin to Waters, from
Edwin to Myung, from Gunn to Trewavas - and the Chris Squire Show
confirms once again that to play the bass guitar is an art form
in itself. At one point
during the gig a droll thing happened: Jon Anderson was doing
one of his dreamy announcements (which to outsiders, by the way,
must seem rather embarrassing: just consider such profound insights
like "Love is very powerful, you know." that Anderson
usually strives to convey to his audience…), when he stopped
in mid-sentence, craned his neck a little and said, "I can
smell marihuana!". And I swear I saw his eyes water as he
momentarily went into raptures about how the old days were, back
then, in the sixties…
A splendid
Awaken concluded the main set, the following encores being
Roundabout and Starship Trooper. It is amazing how
much more convincing this age-old music seems if you dare to compare
it to nowadays' average pop/rock output. Not in terms of 'zeitgeist',
obviously, but one cannot help realizing that there is true creativity
in there, there's superb technique as well, and it is music that
I would want to call 'honest'. Why is it that many music productions
these days - except of course the ones coming out of the small
but very much alive progressive corner - lack all of those qualities?
I don't know… but I should really like to get a bunch of
those self-ascribed musicians to attend a Yes concert, and tell
them, "Look. Listen. Learn.". However, considering the
dumbness and ignorance that prevail in popular main stream today,
those candidates would probably assess the performance as nothing
but "weird".
Photos © Black Cat
Hammersmith Apollo, London, July 1st
By Craig O'Brien
Tonight's Yes gig is the first of two "homecoming"
shows for the band on the "Full Circle" tour which is
a celebration of the bands work over the past 35
years.
The Hammersmith Apollo (formerly the Hammersmith
Odeon) was a great choice of venue as it is a
beautiful old theatre and was the perfect venue in
which to experience the lengthy work-outs of Messrs.
Anderson, Howe, Wakeman, White and Squire. And this
being my first Yes gig, I definitely was not
disappointed by these ageing gentlemen of progressive
rock. Indeed, it was actually quite a change tonight
feeling like one of the younger members of the
audience compared with most gigs I go to as there
appeared to be a few people in attendance who probably
saw Yes back in the earlier 1970's.
So, as 7.45pm struck, the band appeared on stage to a
rapturous applause and a standing ovation which was
testament to the fan-worship that was to be exuded
during the show. The band launched into Siberian
Khatru and this track really summed up what was to be
delivered over the ensuing 2 & ½ hours - outstanding
musicianship, epic song cycles and a bunch of guys on
stage genuinely enjoying what they were doing. Rick
Wakeman was back in his rightful place behind a huge
bank of keyboards, Alan White was pounding on his kit,
Chris Squire was playing his bass like a 1970's lead
guitarist, Steve Howe played his guitar like it was an
extension of his body and Jon Anderson, looking like
he hasn't aged a day in 20 years, provided the
ethereal passages so essential to Yes' music.
Magnification followed the powerful set opener, and
whilst not in the same class as its predecessor, it is
still a welcome addition to the Yes catalogue. In
contrast, In the Presence of, from the same album,
sounded majestic and soared across the venue and
really showed that Yes still possess the magic to
compose some great tunes. Don't Kill The Whale,
sandwiched in-between both of these newer songs,
compared equally to the songs from the 21st century
and shows no signs of ageing.
Next up was an early show highlight with We Have
Heaven segueing into a truly powerful version of South
Side of the Sky. To say that the band had the audience
in the palm of their hands was an under-statement as
the crowd were in a rapture throughout these lengthy
compositions. And just when I thought the band
couldn't take this great feeling any higher, And You
and I (dedicated to Jon Anderson's wife) just blew the
roof off the emotions coming from the stage, and
indeed, coming back from the audience. Its difficult
to find the right superlatives to heap onto this tune
as it's such a beautiful song with the right mix of
colour and light.
Both these songs really showed off not only the
outstanding skills of each band member, but also
showed that after so many years together, it's like
watching a fine
time-piece operating, with each of its constituent
parts working perfectly with the other.
Following such an enormous performance, it was a shame
to end the first set with Steve Howe's solo spot,
which let the pace fall away. Whilst there's not
doubting Steve Howes' guitar playing skills, most Yes
songs give all band members a chance to stretch
themselves in their chosen area of music, that solos
are almost redundant. Still, the crowd loved it so who
am I to complain!
Following a 20 minute intermission, it was Rick
Wakeman's turn for a solo spot, which whilst
show-casing how good a musician he is, it perhaps
edged into the indulgence department a little bit too
much. Thankfully, these solo sections were followed
by yet another of the show's highlights, Heart of the
Sunrise, which is an additional example of the band
playing together, as one unit, and sounding amazing as
a result. A great Long Distance Runaround followed,
which lead into the highlight of the evening,
set-closer Awaken.
Massive doesn't seem to be a big enough word to
describe the wall of sound the band was creating. If
it wasn't Chris Squire and Alan White trading
thundering sounds, it was Steve Howe and Rick Wakeman
having a musical duel, upping the performances each
time. I truly felt during this song that there was an
amazing transcendence between band and audience
whereby everyone was part of the music. Religious
experience isn't too strong a word to describe how it
felt. What a way to leave the stage!
The band returned then for three encores, comprising
some of the shorter (well, shorter than Awaken!) and
punchier songs in their repertoire. I've Seen All
People started off acoustic and just grew and grew
into a huge finale. The ever-present Roundabout
sounded as it always does and was followed by an
excellent rendition of Yours Is No Disgrace, which
lasted for ages. It was like the band just didn't want
to leave the stage. And, when they did, the audience
couldn't thank them enough for the heart and soul
they'd just shown their fans.
I really can't fault Yes' performance tonight, other
than the extended solo spots (which I wasn't surprised
to see), but I'm being pedantic. This is a band still
making and enjoying their music, that whilst
unfashionable to most of the population, could teach
the bands filling the charts today a thing or two
about what music is supposed to be about.
Photos © Black Cat
Indoor Arena, Birmingham, July 3rd
By Pía Matozzi
Once again The National Indoor Arena, in Birmingham was the venue for a Yes concert.
Living in the other side of the world for many years the idea to see Yes was just a dream. I guess this is why I accept more easily what they have to offer. Of course, I have my favourites like everyone else. But for me it's more important to have the chance and pleasure to see these excellent and talented musicians playing their music.
I arrived soon after the doors were opened and I went in to find my seat. I had only 15 rows in front of me, Steve side. Not too bad, eh? Something unexpected was to see those cameras, 5 at least. Are we going to have a new DVD soon?
This time was a full house. And the time came when the lights went out while we could hear the Firebird Suite. Do I need to mention that a huge standing ovation welcomed the band as they came to the stage? How long did it last I've no idea but my hands were aching and they hadn't even played the first song.
I have no complaints about the sound. The stage set was a bit simple, but this is just a personal taste.
Each and every member of the band in his own way and with his own personality showed us once more what they can do when they are together.
Jon with a voice like an angel who always makes us wondering how he manages those notes, talking between songs and playing a variety of instruments. Chris the giant that wanders through the stage astonishing every one with those duels, teasing the audience before his solo and enjoying as much as everyone. Steve the serious of the group surprising us as he plays his guitars. Alan behind his drums playing in a spectacular way to get notice. Rick who seems to have 10 arms moving around trying to rich all the keyboards and showing what he can do.
The highlights for me were Siberian Khatru: one of those classics that I always like to hear and like many others it has such a power. Heart Of The Sunrise: one of those songs where everyone stand out within the band. And You And I: a classic interpreted with style. Magnification: a very good version. South Side Of The Sky a great piece that sounded superb. I'm glad it was in the set list. Awaken: What can I say? It was amazing, mesmerising. I always smile when I see Jon's harp is taken to the stage. It's like a silent sign saying 'be ready Awaken is next'.
Chris and Alan's solos were fantastic. Where do they get energy! Rick's solo was very impressive. Steve's solo was very good but for some reason I wasn't mad about it. Jon's Birthday Song didn't convince me much. I've Seen All Good People and Roundabout were the encores.
Funny was to hear the Disney tune at the beginning of the second part.
The show was amazing, absolutely wonderful. The magic of Yes was there that night.
Without doubt it was a spectacular concert presented for 5 gifted musicians that know how to deliver their music in a very special way and with style. A show that all of us that we were there will remember.
Photos © Black Cat
Setlists:
Dublin
June 3rd:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
In The Course Of The Day
Clap
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
Roundabout
Starship Trooper
|
Berlin
June 11th:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
To Be Over
Second Initial
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
Roundabout
Starship Trooper
|
Dresden
June 14th:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
In The Course Of The Day
Clap
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
Roundabout
Starship Trooper
|
Brussels
June 22nd:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
To Be Over
Clap
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
Roundabout
Yours Is No Disgrace
|
Rotterdam
June 24th:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
To Be Over
Clap
Happy Birthday
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
I've Seen All Good People
Roundabout
|
London
July 1st:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
To Be Over
Clap
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
I've Seen All Good People
Roundabout
Yours Is No Disgrace
|
Birmingham
July 3rdth:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
To Be Over
Clap
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
I've Seen All Good People
Roundabout
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Bonn
July 8th:
Firebird Suite
Siberian Khatru
Magnification
Don't Kill The Whale
In The Presence Of
We Have Heaven
South Side Of The Sky
And You And I
To Be Over
Clap
Show Me
Wakeman Solo
Heart Of The Sunrise
Long Distance Runaround
Whitefish
On The Silent Wings Of Freedom
Awaken
I've Seen All Good People
Roundabout
|
|
Photos:
Berlin, Brussels, Rotterdam and Bonn photos © Yesfocus 2003.
All other photos by Wendy Wilson, © Black Cat 2003.
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