Earlier in the year, while supporting Stratovarius at the Camden Electric Ballroom, Symphony X
seemed rather surprised at the warmth of the crowd's reaction to their set and I remember singer
Russell Allen declaring "We'll be back". Its something that you hear bands say
quite a lot, but one is never quite sure whether it will happen or not. Anyway 6 months or so
later they did in fact return and as headliners too!
Support came from Shadowkeep, big fans of the headliners and they got the gig off to a very
early start. It was 6:20PM no less when they hit the stage and the venue was still filling up.
While I have their first EP and 1st Album, I do not own a copy of
their second album on the German label LMP, from which most of their material appeared
to be culled, so I have to admit that the only song I recognized was the set closer
The line-up featured new vocalist Ronnie Stixx and bassist Frederick Englund for only the
4th time in the UK and while musically they seemed quite proficient, they didn't
quite 'click' with me. Their sound seems too centred in the 80s, (think early 80s Queensryche
with touches of Judas Priest) and the solos never raise the songs above the merely ordinary.
However the growing crowd seemed to enjoy them and even brought them back for an encore.
After a 30 minute break, during which the Mean Fiddler staff played the same song over
the PA 4 times in a row, Symphony X hit the stage to loud cheers - particularly from the
contingent of largely foreign visitors who crowded around the stage. They began with the
two opening songs from their terrific
disk (worth far more than the 7.5/10 we rated it at). Heavy and aggressive they really
kick-start the show, with larger than life frontman Russell Allen giving a stunning
demonstration of his huge lung power during Wicked.
"Good Evening Everybody" bellowed Allen, "I hope that you are all in a good mood
tonight". Of course we were, and I for one felt even better as the band moved through
Evolution and Communion and The Oracle from their previous studio effort
I love the fluid yet crunchy guitar of virtuoso Michael Romeo, I also adore the
keyboards of Michael Pinella and they had been cruelly hidden in the mix during
the opening songs. Here at last their full beauty was released, with perhaps the
two finest movements from the long concept piece,
which the crowd sang lustily
along to. Communion and the Oracle in particular is one of those songs which
can be guaranteed to produce goosebumps. By this stage some of the young females
on the balcony had caught the roving eye of Mr Allan and when he wasn't belting
out the vocals stage front, he was serenading his female admirers :)
The crowd also loved King of Terrors, but seemed unfamiliar with the older
Out of the Ashes from The Divine Wings of Tragedy. However there were
no problems in recognizing The Accolade from the same album as Russ introduced
"two songs linked - about a crusade". This was followed by the even more
enchanting The Accolade II from the more recent The Odyssey album
featuring delightful solos from both Pinella and Romeo - really stunning.
The crowd's energy level seemed to dip a little during Smoke and Mirrors
and Sea of Lies and the audience were rather taken aback as Allen then
announced that Of Sins and Shadows was going to be the final number.
"Yeah right", I thought as the time was barely 8:45PM. Nevertheless
the band filed off stage when the number came to an end.
The audience certainly weren't in the mood to let things end there and called
very enthusiastically for the band's return. First Russel Allen appeared and gave
us a quick resume of his time in London as a tourist before he welcomed his bandmates
back on stage, one by one, each introduced to big cheers. "Let's go back to
Ancient Greece", he declared, introducing the inevitable Odyssey
which made an awesome 25 minute long encore. It wasn't flawless, since they
seemed to screw up the end, but what the hell, it was great to hear it again
as I had thought that its performance in Atlanta was going to be a one-off.
So, all in all a very good start to the European tour, not sold-out by any
means, but a good healthy 500+ audience I think - even if a good number of that
seemed to have come across the channel on the Eurostar.